Greetings, Friend Reader, to the first post of the new blog. Now that you've (ostensibly) read some or all of the stuff I just copied over from my more private, personal blog, I hope you'll take my observations, opinions, off-color color-commentary on Color, my
missives of musings from the far-off state of mind, made manifest and maintained here, with a grain of salt the size of the Serengeti. I'm just a supporting character in the story of the world, here to shatter the fourth wall. Are you on stage with me? Or have you been in the audience so far? If so, get up! Get out! Get into it! (Why yes, I did just quote Tevin Campbell!) It's a large story, the story of the world, and even if ya didn't know it, like Jim Carrey's Truman, you've got a part to play.
Without further ado (well, except for the ado of saying "without further ado," and the necessary follow-up commentary, and...right, right, here we go--) :
I was fired three days before Christmas. Three days after Christmas, I thought it would be a good idea to start a blog. Then the shock of the massive change in my life passed, and I was totally disinterested in life for two months. Exactly one thing from that period is worth mentioning:
my trip with my mother to the Inauguration. Thus, mentioned.
What the linked-to videos do not show is the discussion my mother and I had on the red-eye flight from LAX to IAD. Thrilled to no end about the changes afoot in the world, Mom and I batted thoughts, opinions, perspectives, feelings and intuitions back and forth for nearly the whole five-plus hours. (The lady in front of us was
not impressed.)
I will not bother to chart the course of our discussion here. As you may have noticed of me, I have a meandering method of coming to the point - I'll only do it once I'm sure you've got all the information I think you'll need to peep my perspective. My mother has the same proclivity.
Her eventual point was one I've heard before. It was personal, and had to do with differences between the manner in which I identify, racially, and the manner in which she does. Now, I'm not talking terminology; we do differ in that way, but words are just representatives of concepts, and the concept behind all that terminology is the same. I like "Black American," so let's go with that. Occasionally, for flavor, I'll say Negro. You won't hear that other word in my narrative "speech" - I leave it for others to abuse. If I happen to quote them, so be it, I ain't a-scared. (You may also catch my occasional lapse into dialectic writing, or lengthy parentheticals; I write how I think.)
But I digress. The identification process I refer to is not what we identify
as, or even what that thing (Black) really
is, but what it
means to us. What does it mean to my mother, who marched in protest rallies in her teens, to be a Black American Woman? She was a dirt-poor and brilliant child, living in Ohio and Michigan towns whose industries had abandoned them. She wouldn't thank me for telling you the rest, but suffice it to say that she's faced the hardest times you can imagine (song lyrics will be quoted often), and seen them through, and excelled. Her brain took her to Vassar, which took her to UM postgrad, and along with my father, eventually took her to a lucrative professional career. By the arrival of 1980 and David Alan Sherrell, my parents were practically the Black scenester ideal of the 80's: the young, upwardly mobile Black Professional, the "Buppie" - The Huxtable. (A friend once asked me if my mom was "Black like Claire Huxtable." Far from being offended, I responded immediately that Claire Huxtable was Black like my Mom.) This image has fallen from favor in recent years, but I won't allow it to be wiped from the annals of our struggles that it was a valued concept, part and parcel of the American Dream for many less well-off Blacks. Education, vocation! That's the way "out."
What does it mean to me, to be a Black American Man? Born at the tail end of Generation X, 'released' the same month as The Empire struck back, I am a child of the 1980's: of inexorable progress, of interconnectivity, universality, of irony (fuck post-irony, let the 'tweens have it), of observation; and yes, of rampant consumerism, of apathy, of voluntary disenfranchisement (a concept that should not exist), of snide, ignorant derision, of the very unexamined life we were so exhorted against. I remember when MTV played music videos, when MP3 players were Discmen were Walkmen, when the NES beat the Commodore 64 all to hell (and '64' does
not refer to bits). I am
Yo! MTV Raps and The Cosby Show. I am 227 and A Different World. I am The Fresh Prince of Bel-Air (more on this later). I am also
Saved by the Bell, 90210, My So-Called Life, and (though I am loathe to admit it, it played a role)
The gotdamned
Real World.
From the end of school until the late evening, I was educated (some would say, raised) by television, by our housekeeper who began employ with us as my baby-sitter in my first years, and yes, by my mother (though she never quite 'got' me), who had left her job when a) my sister was adopted, and b) when my father was more than able to provide us with a life of not just comfort, but real luxury.
Money was not ever tight in my house, but it was made clear to me:
we are not rich.
Mom & Dad are rich. (This was, line for line, also in a Cosby Show episode; I have no idea which came first.) The difference between rich (you have money to burn) and wealthy (your grandchildren will still be burning your money) was explained to me in detail - because I went to school with kids who partied in mansions and lived on I-shit-you-not Mount Olympus. (God, the conceit. I drive past it all the time, and only recently has it really begun to gall me.) I had a carpool driver just like any other kid; unlike most other kids, he was the sixth man on the Los Angeles Lakers and the Best Defensive Player of 1987. When we drove home, we cruised down Crenshaw Blvd. playing Koo Mo Dee's "The Wild Wild West," the unofficial theme song of Showtime. A vivid memory of mine from childhood is being in the Laker locker (say that five times fast) room, and somehow coming face-to-naked-crotch with A.C. Green.
What does Black mean to me? At the time, it meant "community church" actually being a church in our community, gospel choir rehearsals at home; it meant difference, being teased, being proud, at school - first it was just the lessons of Black History Month, then G-Funk made living in 213 much cooler than living in 90210 or the then-brand-new 310.
Being a Black American Male is as much a part of me as my ability to sing, my overactive thought process, my addict's brain and my recovering spirit; they're the largest puzzle pieces that make up Me. Because my Blackness is indisputable (you'd be surprised how often that is not the case) and obvious, it is one of the first identifying characteristics applied to me. I accept that gracefully; I am, after all, Black. And damn proud of it. I can't at this point, imagine
wanting to be anything else. But there's much more to the trip. I have had, in a way my mother has not, to define myself 'against' others. My mother was Black, Negro, Colored, and that's all she was allowed to be by powers beyond her control, until victories in the Civil Rights Movement and her own brainpower empowered her. I was free to be whatever I chose, as long as I understood: I wasn't like the rest of my neighbors, because my daddy was
rich (and my ma was good-lookin - still is - but my livin' ain't ever, ever been easy), drove a BMW; because I went to a private elementary school in West Hollywood; the list went on. I could go to church with my peers, we could bike around the neighborhood together, play 'intendo (as some called it) or SEGA, shoot hoops (I
sucked the whole time I lived there; price of being short and sickly); but I wasn't
like them, didn't quite belong. I wasn't the only boy in the neighborhood with this kind of issue - but I was the only one I knew with the mouth to make it worse. Because I just wouldn't take it. Even at a young age, I resisted attempts to label me, not that I knew that's what I was doing. I just knew I was being picked on, and I had to stand up for myself. I never threw a punch, but I'd also never met a fight my mouth couldn't start. (I've learned to use that power for good - I can
stop just about any fight, too.)
And at school: I was different. Classes were tiny, and my sixth grade class had about fifty kids in it. Six of us were Black, which at the time was pretty good numbers (percentage-wise) for a private school. But boyo, when I took that leap into seventh grade, at the illustrious Harvard-Westlake (razzumfrazzumracistrazzumfrazzumpsychoticfrazzum), I learned that there was more to being different than just being different: there was being
judged. Only my own people had done that to me so far, really. I mean, kids say stupid shit, but kids are only regurgitating what their parents say - which is why, by the way, I shouldn't be blamed at four years of age for telling my teacher she was just some dumb old White Lady.
Now I was getting it from all sides. I did. Not. Fit. Not that I had no friends; this was 1993, and I was in good company with the other misfits - even if I never quite forgot that they had that choice. They
chose Nirvana over NKOTB (and really, at that point, few seventh graders had). The first time I was addressed by that most storied and painful of slurs, I stalked the kid around the basketball court for a solid five minutes without working up the rage to nail him in the solar plexus. But damn, I tried. "I'm sorry! You can call me Chink!" He was Korean; I pointed this out to him before I walked off. To the dean's office, or to call my mother, I can't remember. (Probably the latter; I was ill-equipped for confrontations with non-familial adults at the time.)
After all of this has been reported to the dean, a kindly old lady, her response is: "Well, you must have done something to provoke it, what happened?"
I guess my point with this whole narrative is: my mother fought hard to give me the kind of life she did not have, growing up. The virtues and vicissitudes of that life combined with my natural and inherited predilections to form my racial self-identification. My mother has essentially told me that she is disappointed in how unimportant being Black seems to be to me. (My father and I don't have this kind of talk.)
Pwwahhh? Put me in a world where Black doesn't have to be the beginning
and the end of me, and cock your head in disapproving confusion when Black isn't the beginning and the end of me? Now I'm getting it from my own
mother, this where-do-you-fit-in thing. Only thing is, I've figured it out: there are many places I belong. I belong in the private school circle, amongst children of Hollywood and big business and professional sports. I belong in Baldwin Hills, and in Ladera Heights, the modest white-flight homes and it-ain't-much-but-it's-clean neighborhoods mostly unsullied by the gang violence a few miles in any direction but north. I belong in the rooms of recovery, keenly aware of the disease(s) I possess, and the near-total lack of awareness of it in the public eye. I belong on the sidewalks and streets and beaches of Monterey, Carmel, Salinas, Pacific Grove, Pebble Beach, where my best friend and brother in punditry retreated after fourth grade, and where I have ever since found a respite from the insanity of Los Angeles.
Because I am Black American. And I am proud of it. But I am Angeleno. I am Vassar, Oakwood, The Center for Early Education, Glendale Community College. I am sober. I am melody, rhythm, and rhyme. I am America's Dream and her Nightmare. I am Black America's dirty little secret, that fifteen year-old and suspiciously rounding girl sent to live with relatives "up north," that season when Julia Louis-Dreyfus was only shot from the waist up. I am what Black America's conservatives and reactionaries try desperately to pawn off on White America, on Rich America, on any other America. But I am hers, and she is mine. I am more than Black, but my origin story undeniably begins -
in media res - on the sweltering Southern cotton fields of a Scot named Sherwill. My melody, rhythm and rhyme were born there. Fear of a Black response to all that was born there - Fear, if you will, of a Black Planet - gave birth to the tidy white-flight neighborhood in which I was raised to be so much more than the sum of my parts. And the terrifying reality:
I am not alone. I am legion.
But what do
you think?
EDIT: I have invited the aforementioned, inimitable and inestimable Mom to read my blog. You'll know when it happens; it'll be the "DAVID ALAN SHERRELL---!!!!!" heard 'round the world.